Composer, performer, educator

Welcome to my website - it's currently in the process of being rebuilt so excuse any missing info, if you can't find what you're looking for check back soon or contact me.

Sounding

Ouroboros

Sound installation, 2024

Beestaara Cello

Working with an experimental instrument design

Recordings

Recorded music and fixed media

Performances

Live performances and improvisation

Notated Music

Selected instrumental compositions

Moving

Dance Collaboration

Working between disciplines

Audiovisual Collaboration

Working across disciplines

Performance Art and Installation

Working beyond disciplines

Writing

Publications

Academic writing and presenting

Here Comes Everybody

PhD thesis, 2024

Biography

Peter Nagle is a composer-performer, sonic artist, educator and researcher based in London. His practice encompasses improvisation, alternative tunings, drone and loop textures, electronica and movement, often in multi- and trans-disciplinary contexts. His research interests revolve around identities and approaches in transdisciplinary collaboration, and ambiguity and uncertainty as aesthetic strategies.

Peter studied composition with David Harold Cox at Sheffield University, and later with Michael Finnissy. He obtained his doctorate in creative practice in 2024 at Trinity Laban, where he also teaches. Regular collaborations include Rising of the Lights with Jonny Martin and an ongoing multidisciplinary collaboration with Claire Zakiewicz, Petra Haller and Emily Suzanne Shapiro. Dance collaborations include Invisible Cities (2022) and Once up on a cube (premiered 2022; Totally Thames Festival, 2023), both with Scirocco Dance Theatre Company. Ouroboros, an installation/performance created in collaboration with Carla Rees, was first presented in 2024. Recordings include An Equal and Opposite Reaction (Linear Obsessional, 2019) and Sophie Stone’s Amalgamations (2022, Sawyer Editions).

Peter Nagle portrait

Reviews

"Peter Nagle fares a little better, eking out a relatively spry melody from the cello he seems to be in the process of wrestling to the ground like a bear, one leg wrapped around the bout in a quasi-erotic entanglement."
- Robert Barry, review of The Text Score Dataset, Tempo April 2023

"draws elements of free improvisation, composition and sound art into a quiet vortex where restrained harmony amplifies into dry, hermetic mantras and the smallest of incidents are magnified to shattering proportions."
- Paul Margree, review of An Equal and Opposite Reaction, We Need No Swords

"Strong compositions, great playing, and packed with brow-furrowing themes of doubt, alienation and anxiety…what’s not to like?"
 - Ed Pinsent, review of An Equal and Opposite Reaction, The Sound Projector

"Nuggets of pure gold... floating in a sea of shit." - Michael Finnissy

"Peter Nagle, cellist and (I think) composer." - Norman Lebrecht

"Left several things to be desired" - Musical Opinion 

"Brooding Stillness and violent activity... successfully avoided the clichés" - Pauline Hall, the Guardian

Shop

Contact

If you'd like to get in touch or find out more about my work send me a message via this form.

Join mailing list

I hereby agree that this data will be stored and processed for the purpose of establishing contact. I am aware that I can revoke my consent at any time.*

* Indicates required fields
Thank you! We will get back to you as soon as possible.

We need your consent to load the translations

We use a third-party service to translate the website content that may collect data about your activity. Please review the details in the privacy policy and accept the service to view the translations.