Veering Slowly, Losing Identity.
Some thoughts on identity, entanglement and failure.
Presentation given at Trinity Laban, 29 March 2023.
References
Ahmed, Sara. (2006) Queer Phenomenology. Duke University Press, Durham, NC.
Bennett, Jane. (2010) Vibrant Matter. Duke University Press, Durham, NC.
Böhme, Gernot. (2018) The Aesthetics of Atmospheres. Routledge, Abingdon/ New York.
Buxton, Adam (2022) The Adam Buxton Podcast Ep.199. https://www.adam-buxton.co.uk/podcasts/lpbk8k9zbhx54zt-8yl8m-mdzjc-whmf8-2lwfg-emz92-cxnlh-ghwwh-r34cb-sfwnb-kmjcj-x8cgn-gzmzx-xfpt5 (Accessed 16 Jan 2023)
Cox, Christoph. (2018) Sonic Flux. University of Chicago Press, Chicago.
Dusapin, Alice. (2022) Wolfgang Stoerchle: Success in Failure. Daisy Editions and Christophe Daviet-Thery, Paris.
Eshun, Kodwo. (1998) More Brilliant Than the Sun: Adventures in Sonic Fiction. Quartet Books Ltd, London.
Gumbrecht, Hans Ulrich. (2004) Production of Presence: What Meaning Cannot Convey. Stanford University Press, Stanford.
Halberstam, Jack. (2011) The Queer Art of Failure. Duke University Press, Durham, NC.
Harman, Graham. (2018) Object-Oriented Ontology. Pelican, London.
Ihde, Don. (2009) Postphenomenology and Technoscience. SUNY Press, New York.
Ingold, Tim. (2011) Being Alive. Routledge, Abingdon/ New York.
Johnson, Lotte & Bayley, Chris. (2022) Carolee Schneemann: Body Politics. Yale University Press/ Barbican Art Gallery, London.
Kim-Cohen, Seth. (2009) In the Blink of an Ear. Bloomsbury Academic, New York/London.
Kim-Cohen, Seth. (2016) Against Ambience and Other Essays. Bloomsbury Academic, New York/London.
Kubitza, Anette. (2009) Flux-proof or “sometimes no one can read labels in the dark”: Carolee Schneemann and the Fluxus paradox. Women & Performance: a journal of feminist theory, 19, 391-409.
Kwon, Miwon. (2004) One Place After Another. MIT Press, Cambridge, MA.
McLaughlin, Scott (2019) The Garden of Forking Paths. https://forkingpaths.leeds.ac.uk/ (Accessed 12 March 2022)
Morris, Robert. (1961) Box With the Sound of Its Own Making.
Morton, Timothy. (2013) Hyperobjects: Philosophy and Ecology After the End of the World. Posthumanities/ University of Minnesota Press, Minneapolis, MN.
Morton, Timothy & Boyer, Dominic. (2021) Hyposubjects: On Becoming Human. Open Humanities Press, London.
Rice, Karen Gonzalez. (2014) Cocking the Trigger: Explicit Male Performance and Its Consequences. In Scenes of the Obscene, (Eds, Nakas, Kassandra & Ullrich, Jessica) Verlag und Datenbank für Geisteswissenschaften, Weimar, pp. 147.
Rothfuss, Joan. (2017) Topless Cellist: The Improbable Life of Charlotte Moorman. Mit Press, Massachusetts.
Spatz, Ben. (2015) What a Body Can Do. Routledge, Abingdon/ New York.
Ahmed, Sara. (2006) Queer Phenomenology. Duke University Press, Durham, NC.
Bennett, Jane. (2010) Vibrant Matter. Duke University Press, Durham, NC.
Böhme, Gernot. (2018) The Aesthetics of Atmospheres. Routledge, Abingdon/ New York.
Buxton, Adam (2022) The Adam Buxton Podcast Ep.199. https://www.adam-buxton.co.uk/podcasts/lpbk8k9zbhx54zt-8yl8m-mdzjc-whmf8-2lwfg-emz92-cxnlh-ghwwh-r34cb-sfwnb-kmjcj-x8cgn-gzmzx-xfpt5 (Accessed 16 Jan 2023)
Cox, Christoph. (2018) Sonic Flux. University of Chicago Press, Chicago.
Dusapin, Alice. (2022) Wolfgang Stoerchle: Success in Failure. Daisy Editions and Christophe Daviet-Thery, Paris.
Eshun, Kodwo. (1998) More Brilliant Than the Sun: Adventures in Sonic Fiction. Quartet Books Ltd, London.
Gumbrecht, Hans Ulrich. (2004) Production of Presence: What Meaning Cannot Convey. Stanford University Press, Stanford.
Halberstam, Jack. (2011) The Queer Art of Failure. Duke University Press, Durham, NC.
Harman, Graham. (2018) Object-Oriented Ontology. Pelican, London.
Ihde, Don. (2009) Postphenomenology and Technoscience. SUNY Press, New York.
Ingold, Tim. (2011) Being Alive. Routledge, Abingdon/ New York.
Johnson, Lotte & Bayley, Chris. (2022) Carolee Schneemann: Body Politics. Yale University Press/ Barbican Art Gallery, London.
Kim-Cohen, Seth. (2009) In the Blink of an Ear. Bloomsbury Academic, New York/London.
Kim-Cohen, Seth. (2016) Against Ambience and Other Essays. Bloomsbury Academic, New York/London.
Kubitza, Anette. (2009) Flux-proof or “sometimes no one can read labels in the dark”: Carolee Schneemann and the Fluxus paradox. Women & Performance: a journal of feminist theory, 19, 391-409.
Kwon, Miwon. (2004) One Place After Another. MIT Press, Cambridge, MA.
McLaughlin, Scott (2019) The Garden of Forking Paths. https://forkingpaths.leeds.ac.uk/ (Accessed 12 March 2022)
Morris, Robert. (1961) Box With the Sound of Its Own Making.
Morton, Timothy. (2013) Hyperobjects: Philosophy and Ecology After the End of the World. Posthumanities/ University of Minnesota Press, Minneapolis, MN.
Morton, Timothy & Boyer, Dominic. (2021) Hyposubjects: On Becoming Human. Open Humanities Press, London.
Rice, Karen Gonzalez. (2014) Cocking the Trigger: Explicit Male Performance and Its Consequences. In Scenes of the Obscene, (Eds, Nakas, Kassandra & Ullrich, Jessica) Verlag und Datenbank für Geisteswissenschaften, Weimar, pp. 147.
Rothfuss, Joan. (2017) Topless Cellist: The Improbable Life of Charlotte Moorman. Mit Press, Massachusetts.
Spatz, Ben. (2015) What a Body Can Do. Routledge, Abingdon/ New York.
Ouroboros Extract used in presentation (stereo mix)
Links
AV element of presentation (NB this is a stereo rendering of sound intended for mutlichannel presentation. Some sonic elements may be lacking in clarity as a result.)
Once Up On A Cube (full performance)
Where Does a Body End? (rehearsal footage December 2022)
AV element of presentation (NB this is a stereo rendering of sound intended for mutlichannel presentation. Some sonic elements may be lacking in clarity as a result.)
Once Up On A Cube (full performance)
Where Does a Body End? (rehearsal footage December 2022)