What They Said
"Peter Nagle fares a little better, eking out a relatively spry melody from the cello he seems to be in the process of wrestling to the ground like a bear, one leg wrapped around the bout in a quasi-erotic entanglement."
- Robert Barry, review of The Text Score Dataset, Tempo April 2023
"draws elements of free improvisation, composition and sound art into a quiet vortex where restrained harmony amplifies into dry, hermetic mantras and the smallest of incidents are magnified to shattering proportions."
- Paul Margree, review of An Equal and Opposite Reaction, We Need No Swords
"Strong compositions, great playing, and packed with brow-furrowing themes of doubt, alienation and anxiety…what’s not to like?"
- Ed Pinsent, review of An Equal and Opposite Reaction, The Sound Projector
"Nuggets of pure gold... floating in a sea of shit." - Michael Finnissy
"Peter Nagle, cellist and (I think) composer." - Norman Lebrecht
"Left several things to be desired" - Musical Opinion
"Brooding Stillness and violent activity... successfully avoided the clichés" - Pauline Hall, the Guardian
- Robert Barry, review of The Text Score Dataset, Tempo April 2023
"draws elements of free improvisation, composition and sound art into a quiet vortex where restrained harmony amplifies into dry, hermetic mantras and the smallest of incidents are magnified to shattering proportions."
- Paul Margree, review of An Equal and Opposite Reaction, We Need No Swords
"Strong compositions, great playing, and packed with brow-furrowing themes of doubt, alienation and anxiety…what’s not to like?"
- Ed Pinsent, review of An Equal and Opposite Reaction, The Sound Projector
"Nuggets of pure gold... floating in a sea of shit." - Michael Finnissy
"Peter Nagle, cellist and (I think) composer." - Norman Lebrecht
"Left several things to be desired" - Musical Opinion
"Brooding Stillness and violent activity... successfully avoided the clichés" - Pauline Hall, the Guardian